My practice is rooted in exploring the connection between designed artefacts and the wider contexts and histories in which they are embedded. My process often returns to familiar designed forms, from maps to wildlife spotting books, combining these with theoretical influences and emerging technologies to develop new, critical communication. This reappropriation frequently explores the relationship between construction and breakdown of identity and meaning-making, applying an almost forensic approach to consider how objects and materials speak to wider contexts.
My work is concept-driven, meaning that my outcomes delve into varied fields of design, from web development to typography; however, I am particularly interested in experimentation with technical digital processes, especially in terms of how these interact with and challenge more traditional forms of communication.
This conceptual focus is driven by a keen engagement with research. My dissertation expanded on these studio interests to explore how geospatial data and its associated technologies perpetuate or contest socio-political inequalities in the Americas, considering the wider implications of a technology deeply ingrained in our everyday lives.
My work is concept-driven, meaning that my outcomes delve into varied fields of design, from web development to typography; however, I am particularly interested in experimentation with technical digital processes, especially in terms of how these interact with and challenge more traditional forms of communication.
This conceptual focus is driven by a keen engagement with research. My dissertation expanded on these studio interests to explore how geospatial data and its associated technologies perpetuate or contest socio-political inequalities in the Americas, considering the wider implications of a technology deeply ingrained in our everyday lives.
